I began a journal on Distance Day 3.
On that day I also upped our internet
connection to 1000, and I sent a cool simulation of viral diffusion to my
colleagues (we were on spring break then). For breakfast, I had cherry pie,
which I had made two days before on March 14 (3.14 -- Pi Day). That was the day
I designated as Distance Day 1. It was the day that the ban on gatherings of
more than 100 people took effect. It was the day the theaters went dark.
On Distance Day 2, my family’s bar -- owned
now by my sister and brother since our dad died in 2017, where you can stop for
a beer any day, even on your Christmas morning battery run -- closed for the first time in 9,697 days. I
know this because my sister asked Google. On Day 2, I also voted, which was fortuitous,
as Distance Day 4 was supposed to be election day, only it wasn’t. That was
moved to June, and then to April.
It’s all very confusing.
I started the journal because I needed a way
to sort out the time soup we all find ourselves floating in now. I don’t write
every day, but I try to record something for each one, so I can untangle it
all, eventually.
On Day 7 I wrote a tiny play about life in
quarantine, about having the doors open to spring weather, about feeling lost.
At the end one character asks “What are we going to do?” The other character
offers to read a poem. I might not be dealing with this like most people are.
On Day 9, we finished watching Crouching
Tiger, Hidden Dragon as a family, I coached my son through an emotional crisis
about recording music for school, and a two-week stay-at-home order was issued.
I woke up in a terrible funk on Day 11, angry
and sad and scared, but my daughter played some beautiful music on the violin.
The next day I saw what I think was a Cayuga duck, I had a nice talk from six
feet away with the flower lady at the grocery store, and I learned my aunt was
sick with Covid symptoms. Day 13, I was excited to see a pileated woodpecker,
and the day after that I made a pesto of kale, arugula, and basil, but only
after having a meltdown because I thought we’d run out of cheese.
There are people dying. Cheese is a stand-in,
I think.
On Day 18, it was announced that schools will
be closed at least until May 1, and on Day 19 I started teaching students
again, remotely. Of my students, I wrote, “They are so aware of this bizarre
historic moment. They are trying to be positive, They are scared. They are
curious. I’m reminded all over again why I like teaching them.”
I went for a walk and saw more woodpeckers,
ducks, geese, blackbirds, a heron, and a little brown bat.
I went to a wine tasting in Portugal on Day
21, remotely of course, the same day the stay at home order was extended to May
1. My teenage kids sat in our laps after dinner and we all told silly
jokes. The following day, I saw a lot of turtles on my walk, and I wore a mask
to the grocery store for the first time.
On Day 24 I baked the best chocolate cake
ever.
On Day 27, our neighbor finally lost her
temper with the noise of my son’s drumming. Her message was long, emphatic, and
apologetic. I found out my aunt is OK. She’s back to babysitting her grandson.
We are lucky. She fit the profile of someone likely to die from the virus.
On Day 29, I lost it because a celebrity
wondered on Twitter what we were all hoping to get from this time of introspection. People are dying.
I also found a stray dog and wrote that dresses and jewelry look like quaint
relics of a bygone era.
There are four blank lines in my journal for
each of the seven days since.
My chest hurts with sadness and anxiety as I
look at them.
I’ve been busy with work, and I’ve settled
into a featureless time porridge. This is the week I stopped wearing real
pants. Nice shirts, but pajama bottoms. Why not?
And here we are. Day 37. I’m wearing real
pants. The Distance continues. There are protesters demanding the world be
returned to normal. I fear things will be opened too soon. There is no normal.
I saw another woodpecker yesterday. Today, I read Wordsworth to people on Zoom.
Toni
Thayer has received two Ohio Arts Council Individual Excellence Awards -- in
2020 for fiction and in 2016 for playwriting. Her work has been
published and produced in small venues locally and nationally. She has
taught at Cleveland State, Hathaway Brown School, and the old Lit Cleveland.